Monthly Archives: February 2012

Strategic Play

Part 4 of a six-part series reviewing examples of the six activity modes.

Strategic Play emphasizes the manipulation of resources – military, financial, or “human” – over a longer term. In games that emphasize problem-solving, achieving pre-set goals determines progress, while games that encourage a strategic mode of play often enable players to select their own or the computer’s benchmarks. Games with strategic activities include The Sims, titles in the Tycoon series, Civilization, and the Age of Empires. Few educational titles have incorporated this play mode.

I love strategic play, but I am only semi-good at it. To excel at strategic play, you must be able to see the multiplicities of options and how your decisions now affect future fortunes.

Desktop Defense: This is my favorite online strategic game. The player is given a starting pool of money to purchase or improve towers which then are placed on the game board to prevent the egress of little blobs of different types. As these blobs are stopped, the player gets more money to spend on the defensive towers. This is a common set-up for strategic games; another good example is Bloons Tower Defense with monkeys and balloons, always a winning combo.

A simple-to-learn, hard to master board game is Othello, which is a territory-capture game. Here two players are assigned a color, black or white. The players gain territory by placing their color to capture the other color between two of their own. These tiles get flipped — exposing the player’s color, and hiding the opponent’s. Play continues until all squares are filled. The exposed colors are tallied and whoever has the most wins.

Many games categorized as Role Playing Games (RPGs) contain a good bit of strategy. Based upon the Dungeons and Dragons games popularized in the ’80s, RPGs, such as Monster’s Den, have the player form a party of characters of varying strengths and weaknesses. These characters have human personas — pictures, names, and types, but really are a series of statistics that the player controls through add-ons found mostly through pillaged treasure and reward. Often cast in a mythological world, character death is temporary and nullified through use of potions or spells. Ensorcelled armor or weaponry improve the stats of the character.

Prepping for the DML Badges competition…

In 2 days I’ll be flying out to California in compete in the Digital Media + Learning Badges Competition. There I’ll be presenting Computers4Kids’ Teen Tech program. I’m super proud to be heading out to this pretty elite competition; the MacArthur Foundation funds and Mozilla sponsors. Computers4Kids is definitely one of the smaller organizations that will be competing, but I’m feeling pretty confident about my ability to make a winning argument.

We’ve been working hard for the past few years at C4K to align what the kids are doing to national standards. I think this sets apart from a lot of other non-profits. And while it’s personally and professionally gratifying, what keeps me grounded and directed is that everything we’re doing leads to further student success. It’s easy to get caught up in the idea that all this leads to agency success: recognition=more money=greater sustainability, but it’s hard for me to maintain excitement about that.

The realization I had the other day is that by aligning what students learn and practice to recognizable and recognized educational outcomes, we can better communicate to them, schools and employers how valuable their skills are. For under-served students in particular, having that self-esteem and self-worth is crucial. I want to arm myself with the knowledge that C4K is making a real difference in youth’s lives and that curricular alignment and larger efforts like badging systems contributes in a significant way.

Social Play

Part 6 of 6 on an ongoing series about the six activity modes.

Social Play takes several different forms, all centered around social interactions between players, avatars and opponents.

One form of social play is the control of characters in interactions with other computer generated characters, a la old school The Sims. This seems to have been replaced by the more interesting (maybe) interactions of avatars controlled by humans in online environments like Second Life. People can meet strangers, develop relationships, even get married in these virtual communities. These interactions are set apart by their representation of 3-D avatars which can interact in a virtual world.

Another kind of social interaction is the live chats which can take place in a variety of online forums. Again, here, the player can interact with a friends and strangers, but here it takes place with a text dialogue. Typically it is external to the game play.

Multiplayer games allow all sorts of cooperation and competition between players. Sometimes players will alternate between competing and cooperating with the same groups of players.

Often in digital games we concentrate on the controlled interactions that we create, but there are a great number of interactions that happen outside of the planned gaming environment. I often observe the coaching and tutoring that goes on between people in the same physical environment. While it is easy to design for one player per station, oftentimes players enjoy cooperating and sharing the same station. I also will model how to use a game or an activity on a station to elicit excitement and engagement with students. Let’s not forget that a people still like to interact in real life together.

Problem-Solving Play

Part 2 of a 6 part series reviewing examples of the 6 activity modes.

A review of Problem-Solving play:

Problem-Solving play is commonly encouraged via inclusion of puzzles, both in educational games and in commercial titles such as Myst. Here, there are specific rules for the activity sequence and the solution to the challenges. Even if there are a number of challenges within a given game, they are generally well defined, and undertaken independently. The problems may be hierarchical, requiring one problem to be solved before moving on to another, or the problems may be parallel and unrelated. Problem-solving may be fast-paced and reliant upon hand-eye coordination, or it can take a slower form where logic prevails.

Factory Balls 2 I lurve this game. Using a variety of tools, the player transforms white balls into 30 colorful variations with stencils and paints. Players must perform the transformational steps in a particular order in order to create the proper effect, but are not pressured by any time limits.

Little Wheel Here you look for a series of step by step puzzles hidden within the scenery. Like Factory Balls there is a particular sequence of steps to follow, but the ingredients and elements are hidden. I never can fathom these games.

Meta Games: This is the Only Level, Obey the Game and Take Something Literary play with the notions of game play and require players to solve puzzles that are fluid and require the knowledge of gameplay conventions. Novelties or deep exploration of game play? You decide.

Balance games: Tons and Tons of these. Red Remover, Super Stacker 2, Splitter 2, and  Perfect Balance 2 are just a few of the different ones where the player attempts to balance or unbalance objects in a worlds with consistent physics. These may have time constraints or not.

Light-bot:Use programming commands to cause a robot to follow different sequences of action. Like the Logo for this decade.

Matching games: Bejeweled and Bubble Shooter are two of the most famous, but most feature matching 3 more objects with like characteristics often with a time component.

There are tons more games with problem-solving activities. Game rules are typically fairly simple and straight forward. Problem-solving is easily combined with Active, Strategic and Explorative activities.

Creative Play

Part 5 of 6 of an ongoing series about the six activity modes.

Creative mode activities are sometimes hard to find within what we would consider the integral part of game play, but it often appears as a precursor or reward to game play. How many games have the option to dress the avatar before gameplay commences or reward the player by purchasing items and decorating their hideaway? This manipulation has taken the spot that paper dolls or make-up mannequins held during my childhood. Both boys and girls engage in this activity, but I certainly observe girls spending hours dressing their characters.

Marvel’s Create your own Super-Hero certainly appealed to this comic book-loving geek, but it has some of the inherent issues in these templatized activities. The player can only choose the typical female super hero body– pneumatic breasts not effected by this world’s gravity. Tall and lean, both the male and female bodies are completely unrealistic, but you are not limited in your color palette, making it possible to choose features and skin tone of any race. The brief Google search for dress-up games yield TONS of hits, but the majority were white, very thin images. Be cautious when designing your own avatars and be more inclusive, please.

The Sims,  Roller Coaster Tycoon and all the tremendous numbers simulation games were ultimately just vessels to create different worlds. While there were different challenges, a great deal of fun was had creating a personalized world with a color scheme and layout at the discretion of the player. It was not a huge coincidence that it was called a “god’s eye” perspective.

I’ve long thought that Andy Deck’s stuff was odd, interesting and thought-provoking. Here at Collabyrinth, he lets people create icons and then publishes them into a maze that displays the most recent users’ work.

Moving into the music world, this activity allows children to easily create music and sounds.

Finally, in Copy Cat, players recreate the images that appear on the screen. More of a problem-solving than a pure creative task, it does include aspects of color theory and the breaking down of space necessary for certain kinds of artwork.

I’m well aware that the activities for this blog entry are not strictly games, but I do think that these links provide activities that are compelling for a lot of users– and that it’s important to include opportunities for learners to create in free-form ways. Oftentimes as designers, we (or our employers) have a strong desire to lockdown the learner experience to predictable paths. Including creative activities challenge that structure.

Explorative Play

Part 3 of a six-part series reviewing examples of the six activity modes.

Another activity mode widely experienced in games is explorative play, where physical space and travel is simulated through the layout of the game arena. By hiding certain areas from view, the player is allowed to discover new areas and challenges in turn. Explorative play can be easily modified by the addition of other activity modes. Many three-dimensional “shooters” combine active and explorative play, where players find their way through virtual buildings or cities while dodging bullets and shooting enemies. Slower-paced educational games often pair exploration of an area with problem-solving activities.

I personally dislike explorative play. It makes me anxious because I don’t know what’s around that corner or in the hidden parts of the game board. I love Civilization. The first time I played Civ3 I played for 10 hours and then realized that I didn’t know what I was doing. Finally aware of the actual rules, I played for another three hours. Similarly when Civ4 came out I played til dawn one long night. But the initial stages of the game — the time where you send explorers out to scout the edges of the world with a completely hidden topography holds no appeal to me. Sure, there’s treasure and unknowns, but those things can be scary and dangerous as well.

In Little Wheel, the player explores the game space by solving puzzles and problems. Successful players are taken to another game space to undo other puzzles. Myst is the best known of these types of puzzle games.

Second Life is, of course, a social experience at heart, but it also incorporates a large amount of exploration of space and environments. In virtual worlds, people navigate their avatars through areas, discovering new spaces and interacting with objects by flying, walking, running, and jumping.

Bubble Tanks is a shooter that takes place within a series of contiguous bubble realms. Rather than experiencing player death, the player’s bubble tank is spat out to another bubble once its power has diminished.

The key to the explorative mode is understanding that not all options may be available simultaneously, and rarely is there a tiered, linear progression through levels. The explorative mode allows the player to feel in control of their movements through a larger space.

Active Play

Earlier I blogged about the 6 activity modes. Over the next few posts I am going to present some examples of games that highlight each of the activity modes. Today the focus is on Active Play. For those of you who don’t want to exercise the power of links or the scroll bar, here’s a review:

The gameplay mode most often thought of in connection with computer and video games is the active mode. In this mode, the player must respond quickly, using rapid-fire techniques, “twitch” speed, and combinations of keys or buttons to achieve the goals of the game. The game clock and/or threat of character “death” often provide structure and consequences. In games that shape play around action, the story lines frequently emphasize dichotomous conflict where the player embodies good against an evil opponent. Many of the most popular commercial games, including “shooters”, arcade-style games, and puzzles incorporate active modes into their game play.

The following games are quite different from one another in subject matter, game controls and genre, but they all incorporate active play.

Upgrade Complete I typically hate shooters, because I have no twitch speed, but this one has an interesting purchasing aspect. As you play you earn points that allow you to upgrade from a bare-bones Atari style game to a jazzy modern shooter with pretty graphics.

Word Bubbles This fast-paced word game requires you to form words with the same 3 beginning letters in a limited amount of time. I tend to find it addictive.

Typing of the Dead Awesome! A typing program that has makes your “ASDF” blast and explode zombies.

Tetris The classic combo of active and problem-solving play. You know you want to practice your spatial reasoning.

Introduction to the 6 Activity Modes

A few years ago I was working on some research that required me to analyze the game playing preferences of different children. I started off trying to use the existing game taxonomies to categorize their preferences, but found that they weren’t descriptive enough. Two games might both be puzzles, but have vastly different feel of play. After meditating on it for a while, analyzing a bunch of games, and looking back at the preferences of the students. I came up with the following 6 activity modes to describe the play that takes place within games. Multiple activity modes can appear simultaneously or sequentially in a single game.

  • Active Play

The gameplay mode most often thought of in connection with computer and video games is the active mode. In this mode, the player must respond quickly, using rapid-fire techniques, “twitch” speed, and combinations of keys or buttons to achieve the goals of the game. The game clock and/or threat of character “death” often provide structure and consequences. In games that shape play around action, the story lines frequently emphasize dichotomous conflict where the player embodies good against an evil opponent. Many of the most popular commercial games, including “shooters”, arcade-style games, and puzzles incorporate active modes into their game play.

  • Creative Play

Creative play offers the opportunity to create elements during play.  Some games provide opportunities to develop characters’ skills or appearance or to build or modify aspects of the environment. SimCity and the Tycoon games allow players to determine the components, layout and palette of cities, golf courses, roller coasters, and theme parks, while other games allow selection of character powers and appearance. Other creative elements in games can include free-form drawing, or the use of stamps to design printable or email-able documents that the player can use during or outside of game play.

  • Explorative Play

Another activity mode widely experienced in games is explorative play, where physical space and travel is simulated through the layout of the game arena. By hiding certain areas from view, the player is allowed to discover new areas and challenges in turn. Explorative play can be easily modified by the addition of other activity modes. Many three-dimensional “shooters” combine active and explorative play, where players find their way through virtual buildings or cities while dodging bullets and shooting enemies. Slower-paced educational games often pair exploration of an area with problem-solving activities.

  • Problem-Solving Play

Problem-Solving play is commonly encouraged via inclusion of puzzles, both in educational games and in commercial titles such as Myst. Here, there are specific rules for the activity sequence and the solution to the challenges. Even if there are a number of challenges within a given game, they are generally well defined, and undertaken independently. The problems may be hierarchical, requiring one problem to be solved before moving on to another, or the problems may be parallel and unrelated. Problem-solving may be fast-paced and reliant upon hand-eye coordination, or it can take a slower form where logic prevails.

  • Social Play

Social play can take a number of different forms. It can be the interactions between players and game characters or between the players themselves. This mode often provides the opportunity to manipulate the behavior of game characters, providing a god-like level of power. Interacting in a multi-player mode allows interaction between players in whatever manner the game allows, be it fighting, cooperating or romancing. Another form of player interaction takes place when two individuals use the same computer and station to control characters or action, when they must cooperate to some degree. This activity provides players with support, camaraderie, and/or help.

  • Strategic Play

Strategic play emphasizes the manipulation of resources–military, financial, or “human”–over a longer term. In games that emphasize problem-solving, achieving pre-set goals determines progress, while games that encourage a strategic mode of play often enable players to select their own or the computer’s benchmarks. Games that can include strategic activities include The Sims, titles in the Tycoon series, Civilization, and the Age of Empires. Few educational titles have incorporated this play mode into their games.

On Winning

“Education” and “competition” are not usually words that are associated with each other. However, competition is an innate motivator, and humans by nature enjoy winning.

Certain aspects of winning are universal to all competitive activities, including learning. A recent Newsweek article about winning provides insight into how instructional designers can create more engaging training. The author notes that winning by itself is not the most compelling impetus, but that winning while a competitor loses is more satisfying (this would seem obvious to anyone with siblings).

Rather than using  a “task completion” metaphor, instructional designers should use a gaming and winning metaphor when designing training. Rote tasks can be made more engaging if instead of simply reading and reacting in a safe environment, the learner triumphs over a tension-filled activity. Similarly, you can provide competitive opportunities with other learners virtually.

In many K-12 situations “safe” learning environments take out so much of the excitement of competition and rating. You have an obligation to make sure every beginner learner succeeds, but you also have an obligation to groom the special talents that individuals have as well.

How do you turn cognitive tasks into challenge?

Learning objectives can remain the same, but it’s the way that it is presented that changes. You don’t have to completely redesign your training to make it more challenging. Consider these simple ideas:

Allow learners to be wrong

  • Allow and penalize for incorrect answers. If learners can complete a course by merely clicking through content, they have little reason to engage with the content. Activities that allow for “failure” can create “good tension”.

Add variable scoring

  • Reward learners for learning more difficult material by acknowledging that all content is not equal.

Add timed components for some activities

  • While not appropriate for all activities, it does create a feeling of tension.

Allow for replay opportunities

  • This reduces some of the negative aspects of the capability for “failure” allowed by other competitive components.

Create opportunities to share leaderboard scores outside of the learning environment

  • Rather than learning taking place within a silo, authentic learning events can bleed into the larger community.

A simple multiple choice game can be either boring or competitive with a simple design tweak:

Boring

  • The learner answers a question and then views the answers tagged with “correct” and “incorrect” feedback.

Competitive

  • The learner answers a question. They receive variable points based upon the correctness of the answer, difficulty of the challenge and the speed with which they answered. They are then shown their score relative to other learners. The feedback is also contextual and continues the gameplay.

Take some lessons from this short quiz. How many times did you feel compelled to play?

A version of this post appeared on The Total Learner Experience

Our Gadgets Own Us

I’ve got too many gadgets. But I find that I need one more. I want a laptop again.

I miss laptops. While the iPhone and iPad provide mobility and the sexy design that makes want one (until we find out the human cost behind them and probably ALL of our gadgets), they’re awfully hard to write much beyond a tweet on.

The students in my school district all got tablets to use this year. They were so excited initially. At Computers4Kids we were concerned that the students wouldn’t come to us anymore because they had this gadget and wouldn’t need the computer access that we’d always provided them. But they still come. The promised keyboards haven’t materialized, and even if they had, would you want to write and edit a 3-4 page paper on a tablet screen?

Both me and the kids love to watch movies on the tablet– it’s great and portable, but I’d rather write an email on an iPhone and I’d rather write a paper on a desktop or laptop.